The black chokeberries (Aronia melanocarpa) are blooming beside the pond this week; the red variety is said to be attractive to birds, but the black certainly is not. Last year’s dried up berries remain on the plant, uneaten. The small, pinkish-white flowers have the characteristic 5 petals of the rose family.

My ears are much better than my eyes at identifying birds. My distance vision is not good and I’m too vain to wear my eyeglasses other than when I’m driving. I find glasses especially uncomfortable with binoculars. Because I have trouble spotting the movement of birds, I’ve come to rely on my ears more than my eyes and have tried over the years to develop my knowledge of bird songs. It’s a handy skill to have (and a good way to impress non-birding friends) and is easy to do if you’re an auditory person like me. I’ve always learned best by listening and in school was often reprimanded for *daydreaming*, when in fact I was paying close attention with my ears rather than my eyes.

In the spring I like to *warm-up* my ears to warbler song by listening to birdsong cd’s. This way I avoid the frustration of hearing birds that I can’t see while still knowing who’s out there singing. I like to play the cd’s at bedtime and usually fall asleep to their sweet seranade. I also make a *cheat sheet* that I carry with me when birding to help me distinguish between certain birds that I have trouble with. My favorites are the “Peterson’s Birding by Ear” and “Peterson’s More Birding by Ear”.

My friend Linda at work wants to learn about birds and I’ve offered to bring her along on a spring walk. She’s dissuaded by the early hour and suggests we have brunch, then bird, and finish up with some shopping. We have a running joke where she *sings* a bird song that she heard that morning to me and I’m supposed to tell her what it is that she heard. Somehow all of her *songs* sound the same. This morning she saw a cardinal and I tried to teach her its song as “Tear-tear-tear.” With her Brooklyn accent it turned into something unrecognizable, but we’ll keep working on it.

A LISTENER’S GUIDE TO THE BIRDS by E.B. White

Wouldst thou know the lark?
Then hark!
Each natural bird
Must be seen and heard.
The lark’s “Tee-ee” is a tinkling entreaty.
But it’s not always “Tee-ee” –
Sometimes it’s “Tee-titi.”
So watch yourself.

Birds have their love-and-mating song,
Their warning cry, their hating song;
Some have a night song, some a day song,
A lilt, a tilt, a come-what-may song;
Birds have their careless bough and teeter song
And, of course, their Roger Tory Peter song.

The studious ovenbird (pale pinkish legs)
Calls, “Teacher, teacher, teacher!”
The chestnut-sided warbler begs
To see Miss Beecher.
“I wish to see Miss Beecher.”
(Sometimes interpreted as “Please please please ta
meetcha.”)

The redwing (frequents swamps and marshes)
Gurgles, “Konk-la-ree,”
Eliciting from the wood duck
The exclamation “Jeeee!”
(But that’s the male wood duck, remember.
If it’s his wife you seek,
Wait till you hear a distressed “Whoo-eek!”)

Nothing is simpler than telling a barn owl from a veery:
One says, “Kschh!” in a voice that is eerie,
The other says, “Vee-ur” in a manner that is breezy.
(I told you it was easy.)
On the other hand, distinguishing between the veery
And the olive-backed thrush
Is another matter. It couldn’t be worse.
The thrush’s song is similar to the veery’s,
Only it’s in reverse.

Let us suppose you hear a bird say, “Fitz-bew,”
The things you can be sure of are two:
First, the bird is an alder flycatcher (Empidonax traillii
traillii);
Second, you are standing in Ohio – or as some people
call it, O-hee-o-
Because, although it may come as a surprise to you,
The alder flycatcher, in New York or New England,
does not say, “Fitz-bew,”
It says, “Wee-be-o.”

“Chu-chu-chu” is the note of the harrier,
Copied of course, from our common carrier.
The osprey, thanks to a lucky fluke,
Avoids “Chu-chu” and cries, “Chewk, chewk!”
So there’s no difficulty there.

The chickadee likes to pronounce his name;
It’s extremely helpful and adds to his fame.
But in spring you can get the heebie-jeebies
Untangling chickadees from phoebes.
The chickadee, when he’s all afire,
Whistles, “Fee-bee,” to express his desire.
He should be arrested and thrown in jail
For impersonating another male.
(There’s a way you can tell which bird is which,
But just the same, it’s a nasty switch.)
Our gay deceiver may fancy-free be
But he never does fool a female phoebe.

Oh, sweet the random sounds of birds!
The old-squaw, practising his thirds;
The distant bittern, driving stakes,
The lonely loon on haunted lakes;
The white-throat’s pure and tenuous thread-
They go to my heart, they go to my head.
How hard it is to find the words
With which to sing the praise of birds!
Yet birds, when they get singing praises,
Don’t lack for words – they know some daisies:
“Fitz-bew,”
“Konk-la-reeee,”
“Hip-three-cheers,”
“Onk-a-lik, ow-owdle-ow,”
“Cheedle, cheedle chew,”
And dozens of other inspired phrases.

Got that, Linda?
😉

When I was a newly-minted master gardener I went out and bought two great reference books so that I would sound smart when answering questions on the helpline or during community events where we volunteer. My dear friend Debbie likes to tease me that I am never able to answer any of her gardening questions. She says that my answer is always the same, “but I don’t grow that.” Which is true; she and I have very different tastes in plant material.

I guess she thinks that I ought to know everything there is to know about plants. The fact is, most master gardeners are just people who have an interest in gardening and are willing to volunteer their time. We’re trained in certain aspects of horticulture, but we’re not expected to know everything. Most of us have a particular interest or area of expertise, but the rest of the time our answers come from books. Knowing where to find answers is important.

Two books I use often are “Dirr’s Hardy Trees and Shrubs” and its companion “Manual of Woody Landscape Plants”. Michael Dirr has many excellent horticulture titles, but these are the most popular. The first contains lovely glossy photos and minimal information on care; the second volume is much more detailed (and intimidating) and includes info on propagation, culture, pests and diseases, and landscape value. It also includes Dirr’s personal comments and growing experiences with each species covered. His comments and growing tips are the most enjoyable part, in my opinion.